Cumnock Tryst Festival, Ayrshire, Scotland

J.S. Bach: Lute Suite No. 4 (BWV1006a)

Our Festival finale sees us return to the beautiful setting of Dumfries House for our three-part series of mini-recitals. The music of JS Bach played by guitarist Sean Shibe, Scotland’s young new musical superstar, in the Tapestry Room should be a delight. The Wallace Collection will then provide a brassy counterblast in the Entrance Hall with some jazzy sounds from America. The Festival comes to a close with another quintet, this time from our artists in residence, Scottish Ensemble in the Great Steward’s Dining Room.

“Our Sunday finale is proving to be a popular and pleasant day out, where our audiences promenade from one beautiful space to another, hearing music that is always fascinating and surprising, played by some of our great musicians. Dumfries House is a stunning estate and 18th-Century house and is a wonderful setting for a feast of music.

Once again there is a varied menu of different kinds of music on our last day. Guitar, brass and strings cover a wide range of aural options, presenting music from the Baroque to the present day. Come and join us as the 2017 Tryst comes to a close.”

— Sir James MacMillan

Cumnock Tryst Festival, Ayrshire, Scotland

Allegri: Miserere mei, Deus

Michael Murray: Pilgrims (world premiere)

Michael Murray: King David’s Dance (world premiere)

James MacMillan: Seven Last Words from the Cross

 

Our artists in residence, Scottish Ensemble are tonight joined by the brilliant young Scottish guitarist Sean Shibe and the world-renowned Westminster Cathedral Choir. Once again back at the beautiful St John’s Church we present a varied programme of ancient and new music. We are delighted to present two brand new commissioned works by Auchinleck composer Michael Murray. Self-taught from school days, Michael has had a life-long commitment to writing music and is now emerging as a composer of note. The Tryst is proud to give him this platform.

His guitar concerto and a special encore piece form the centrepiece of this concert, preceded by the famous choral masterpiece Miserere by Allegri, written for the Sistine Chapel centuries ago, which takes the voice of a boy soloist into the stratosphere. In the second half choir and orchestra combine in a performance of the signature cantata by the Tryst’s Artistic Director; MacMillan’s Seven Last Words from the Cross, will be conducted by the composer himself.

“I have written a number of works for the incredible choir of Westminster Cathedral, and I am delighted to welcome them to my old church of St John’s where I played the organ as a teenager. They sing my Seven Last Words beautifully and they will be joined by the string ensemble I wrote it for. An added pleasure for me is to give the world premieres of works by another local composer who has written for an outstanding soloist, Sean Shibe.”
— Sir James MacMillan

The List interview

Interview in The List online today: 

“There’s been a lot of political flux and I sometimes feel classical music hasn’t represented that enough.” 

I’ll be doing my best to #REPRESENT at East Neuk Festival at the end of this month. 

Tickets still available: http://tinyurl.com/yaxrrsy2

SoftLOUD is also part of the Made in Scotland showcase at the Edinburgh Festival Fringe, August 21-26: http://tinyurl.com/kbrp5zl

https://www.list.co.uk/article/92117-sean-shibe-on-softloud-i-wanted-to-do-something-that-would-sum-up-the-emotions-of-scotlands-young-people/

A nice review of last Friday’s concert that violinist Benjamin Baker and I gave at the Northern Chords Festival:

“For the second of the three Northern Chords concerts, it was a first appearance at Baltic for the chamber music festival.

And what a fine venue it proved to be, with good sound, clear sightlines and comfortable chairs.

Since its inception nine years ago, founding artistic director Jonathan Bloxham has consistently brought together some of classical music’s best new talent and this year was no exception.

Here was a classic two-hander featuring New Zealand-born Ben Baker, one of last year’s stars, and, for the first time, young Scottish guitarist Sean Shibe.

They shared the repertoire with duets and a solo for each.

Baker started with Bach’s Sonata No. 3 for solo violin with its second movement in particular played with clarity and finesse.

From 300 years ago we were then brought up to the present day with the premiere of Jack Sheen’s meditative homage to choreographer Yvonne Rainer, performed by violin and guitar and with a background soundscape of street noises and voices.

Before the interval, we were into the Latin section, with the Spanish composer Manuel De Falla’s Siete Canciones (Seven Songs – of which we had six), originally written for piano and voice but this time being played on violin and guitar.

You would never have known these weren’t De Falla’s original choice of instruments, so perfect was the integration.

It was the music of South America that took centre stage in the second half, firstly with Brazilian composer Heitor Villa-Lobos’s Five Preludes for Guitar – each dedicated to different people, including one for Bach.

Sean Shibe is one very gifted guitarist and it was a pleasure listening to his delicacy and his strength of playing.

Combining these instruments was a masterstroke as they complement each other so well, and with no finer example than in the last duet – two movements of the Argentine tango composer Astor Piazzolla’s History of the Tango.

The voices of the two instruments rang loud and clear with rich tones, fine balance and the two players trading musical punches with panache.

If it was a reminder of French virtuosi, Stéphane Grappelli and Django Reinhardt, the encore provided an opportunity to hear a Grappelli composition courtesy of an impromptu cello part for the festival artistic director.

A lovely ending to an evening of well-programmed, high entertainment.”

http://www.chroniclelive.co.uk/…/baltic-debuted-northern-ch…